Photography Talk at ICP

March 22nd, 2012 :: Posted by Ashok Sinha :: Comments (0) :: Leave Comment
Ashok Sinha ICP Talk New York
It was an honor and a distinct pleasure to be invited to speak at Harvey Stein‘s class at The International Center of Photography in New York.  About 30 students specializing in portraiture, landscape and long-term projects attended the session.
The evening started with a lively discussion about my unconventional start as a photographer (I spent a decade in corporate America before I switched careers) as well as my progression from primarily shooting travel/location stories to a more diverse portfolio consisting of environmental portraiture and architecture work.  I also shared a series - Exacting Proportion - from my fine art work which was part of an exhibit at the Mixed Greens Gallery in Chelsea, New York.  Then the discussion turned towards how my work led to unintended consequences such as the founding of the nonprofit project, The cARTwheel Initiative.  Above all, I wanted to make the point that I refused to be classified as “one type” of photographer, because I am not.  However, I do bring my style and aesthetic to every shoot no matter what the nature of the work is and who it is ultimately intended for.
Just when the students thought that they had sent it all, I ended with a new kind of project that I had recently completed with filmmaker Ram Devineni- a 10+ min short film - Pigeon Keepers of Bushwick
In hindsight, I think I was able to convey to the students that a creative career is ultimately what you make of it and doesn’t really have a defined path, a question that often came up during the course of my presentation.  How else would I explain this project – Meeting of the Art Waters?  It was an idea that three friends came up on a wintery afternoon on the banks of the Susquehanna and looking at the sheer talent in the roster of presenting artists, I’m humbled and honored to be a part of it.
Leave Comment

Notes from Sri Lanka

March 15th, 2012 :: Posted by Geoff Green :: Comments (0) :: Leave Comment

Back in December of 2011 I was able to participate in project called the cARTwheel Initiative. To keep a long story short, a group of artists got together to bring art therapy to areas of the world where children have been adversely affected by conflict and disaster. Our inaugural trip was to the northern territory of Sri Lanka. You can learn more about the project by visiting the cARTwheel website. I, along with Ashok Sinha documented the trip in both stills and video, here is a small sample of the still images.

 

Map Courtesy of Sean A. Murray – seanamurray.com

All photographs © 2012 Geoff Green

The road from Vavuniya to the schools visited

 

Our greeting at Mallavi

 

The parachute games we played when we arrived

 

Portraits of the children

 

Local military

 

Part of the school campus in Pooneryn

 

The graphic design workshop

 

All images © 2012 Geoff Green

 

Leave Comment

Chesapeake, The Aerial Photography of Cameron Davidson

March 7th, 2012 :: Posted by Jamie Smith :: Comments (0) :: Leave Comment

I love the interaction of land, water, and the human element.  Something about the mix draws me in time and time again.  It all started back in the early eighties when I was shooting a project on Great Blue Herons for National Geographic.  I found an old Piper Cub airplane sitting on a grass runway in Southern Maryland.  I asked the farmer, who owned the plane, if he would fly me over the rookery on the Patuxent River.  He did and charged me all of 15 dollars for fuel.
That is how it all started.
I fell in love with the Chesapeake when I saw it from the air.  I wanted to see all of  the watershed.

© Cameron Davidson

Years later, in the late nineties I met a couple of fixed-wing pilots who started flying me around the bay between Baltimore and Tangier Island.  It was then that I decided this was a book and it needed to be shot in depth.  I wanted more than a book of pretty tourist destinations; I wanted a book that showed the impact of man’s hand upon the watershed and also of the stunning beauty of the bay and its tributaries.
The Susquehanna is the mother of the bay.  It always surprises me when people ask me how the Susquehanna is connected to the Chesapeake.  It’s as if they don’t know or realize that the bay is a living extension of the Susquehanna and not just a tidal estuary.
In 2005, Dan Myers, a pilot I flew with quite a bit for the book suggested that we take advantage of an amazing fall high pressure system that gave us clean, clear air from Quebec to Virginia. Dan and I took off before sunrise in his Cessna 172 a couple of hours before sunrise.  Our goal was to hit Cooperstown at sunrise in order to shoot the first light at Lake Otsego, the headwaters of the Susquehanna.
We had to contend with a strong crosswind as I shot the creek that flowed from the lake.  Dan and I spent the day flying downstream, hitting Binghamton and all the small towns that dot the Susqueahanna.  We got as far as Harrisburg and then called it a day.  The very last flight for the book was in February of 2010 when I flew in a MD500 helicopter and shot winter landscapes of the river from Harrisburg to the mouth of the bay.
The book is divided into three sections.  The Upper Bay section is primarily focused on the Susquehanna and upper reaches of the Chesapeake including Baltimore.
The goal of the project and book is  to educate people that we’re all a part of the Chesapeake Bay watershed from Virginia all the way to New York.  It is the little things that matter and small changes can have an enormous impact upon the quality of water in the bay.  Simple things such as cleaning up after your dog, reducing or eliminating lawn chemicals, creating a butterfly garden that is irrigated by your rain gutters and not allowing allowing cattle into stream beds can make an enormous difference.

© Cameron Davidson

If you would like to see more of the book, please go to: http://www.aerialchesapeake.com  There are two versions of the book available.  A signed limited edition book with a slip case and signed print, or the standard edition which is also signed or inscribed.

Leave Comment